Saturday, February 26, 2011

From Louise Kahn t|o "PLAYTIME, Jaques Tati"

While Mies Van de Rohe said “Less is More”, Venturi opposed with his theory that “Less is a Bored”.
Panorama of Salk institute - Louise Kahn


Modernist like Louis Kahn believes that the shape and form of the building has to be pure geometry that show ‘honest’ of materials construction. The symmetry also play a big role. And the interior usually keeps privacy from outside and which is similar to the idea of ‘standard’ housing in Le Courbusier theory. For instance, Louis Kahn designed Salk Institute in 1959 complete in 1965
“The Salk Institute’s open environment teeming with empty space is symbolic of an open environment for creation, the symmetry stands for scientific precision, and submerging crevasses allow warm, natural light to enter the buildings like the intellectual light that leads to discovery. The contrast between balance and dynamic space manifests a pluralistic invitation for scientific study in structures developed to accommodate their respective functions as parts of a research facility. Although modern in appearance, it is essentially an isolated compound for individual and collaborative study not unlike monasteries as sanctuaries for religious discovery, and they directly influenced Kahn in his design. Ultimately, the Salk Institute’s meaning transcends function and physical place as a reflection of Western Civilization’s pursuit of truth through science instead of God: it is Louis Kahn’s masterpiece reinterpretation of the monastic “intellectual retreat” in our day and age.”                               
– meaning of Salk Institute.

In comparison to the film that created about the same time where these idea start to flourished. A film called “ Playtime, Jaques Tati.”

A group of American tourist land at Paris Airport and embark on a one-day sightseeing tour of the French capital. The famous landmark crowded by towering office blogs and a few signs of old Paris remain. For example, an old women sells flowers on a street corner while Monsieur Hulot has an appointment with an important official, but ends up getting lost in the maze of Modern offices. Later, he runs into the tourists at the exhibition of new invention products, which include a silent door and a broom with headlights. Having met up with an old army friend in his modern apartment, Hulot lost in crowded of Paris people with ideal of Modern age rules the town. 
When Hulot step into an office, interior path seem to be never ending. The pattern of working space lost him in nowhere. We unintentionally step into the elevator where he found another floor also looks the same. Later he get on the ground level where all the office room arrange in an order where Hulot can see all the office in the room from above, but when he was stepping down and try to reach one officer he get lost and was trig by officer’s shadow on the mirror next door. Then he jump into the crowded of tourists in the exhibition hall.

Sunday, February 20, 2011

Abstract Idea through Modern Architecture.

Since when that people start to look at thing more truth, the shape become more flat and geometric, less ornamental on things and buildings, or to say is ‘Minimalizing’.
1905 the beginning of WWII and also the transition from the Fauvism to Cubism era, where everything(the truth) is rendered visible at once to the viewer. An artist turns their ideas around, seeing multiple sides at the same time and dematerialize into geometric form. It’s the first time when people become abstract by making number into statistic form.

These development in architecture can be easily illustrate by an architect “Le courbusier”, it’s in his name. He objectified himself “Le courbusier” artistic everyman.  By making himself to an object, he believe he could build every man home. He approach the mass productions in architecture, when he keep classical style, also involve in context of surrounding. The MASS+SURFACE of houses he build, is telling themselves as they are, the purity of form consists only line and color in painting.
OMA - ‘roadmap 2050: a practical guide to a prosperous, low-carbon europe’


The major character of his work:
  1. Square and Rectangle – an accentuation of form, consists of plane and grid with no bearing wall. These because he wants to keep the pureness of form and to keep the space as open as possible. The outside-in space.
  2. He fascinate by the hole in the form, aperture. And also bring art into Architecture.
  3. Basic individual need, put people in Grid – He came up with the system of human measurement by abstract himself into one same space similar to Utopian Idea of human is the perfect scale for everything. He compare his idea to automobile in “Toward New Architecture”

Le Corbusier – Villa Savoye, Paris 1928-1931